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THE PULP AND MYSTERY SHELF July Mystery Week Special!

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Title:
THE MENTOR
Author: Lee Matthew Goldberg
Publisher: Thomas Dunne Books / St. Martin’s
Press
Pages: 336
Genre: Thriller / Suspense / Mystery

 

Kyle Broder has achieved his lifelong dream and is an editor at a major publishing
house. When Kyle is contacted by his favorite college professor, William Lansing, Kyle couldn’t be happier. Kyle has his mentor over for dinner to catch up and
introduce him to his girlfriend, Jamie, and the three have a great time. When
William mentions that he’s been writing a novel, Kyle is overjoyed. He would
love to read the opus his mentor has toiled over.
Until the novel turns out to be not only horribly written, but the most depraved
story Kyle has read. After Kyle politely rejects the novel, William becomes obsessed, causing trouble between Kyle and Jamie, threatening Kyle’s career, and even his life. As Kyle delves into more of this psychopath’s work, it begins to resemble a cold case from his college town, when a girl went missing. William’s work is looking
increasingly like a true crime confession.
Lee
Matthew Goldberg’s The Mentor is a twisty, nail-biting thriller that
explores how the love of words can lead to a deadly obsession with the fate of
all those connected and hanging in the balance.
PRAISE FOR THE MENTOR:
From BooklistA junior editor at a Manhattan publisher reunites with
his college mentor with disastrous results in Goldberg’s second thriller (after
Slow Down, 2015). Kyle Broder has just acquired a probable best-seller
for Burke & Burke publishing when he hears from his former literature
professor, William Lansing, who pitches the still-unfinished opus he’s been
working on for 10 years.
Lansing’s book is not only badly
written, it’s also disturbing, featuring a narrator literally eating the heart
of the woman he loves.
Lansing turns vengeful when his
“masterpiece” is rejected, but Broder’s concerns about his mentor are
dismissed both at home and at work: Broder’s girlfriend considers
Lansing charming, and a rival editor feigns interest in Lansing’s book. Broder revisits
his college and delves more deeply into the cold case of a missing
ex-girlfriend, and as the plot darkens and spirals downward, it’s unclear who
will be left standing. The compelling plot is likely to carry readers with a
high enough tolerance for gore to the final twist at the end.
INTERVIEW WITH THE AUTHOR:

What initially got you interested in writing?

 

I’ve always been a writer even since I was a little kid. I remember reading Catcher in the Rye in sixth grade and becoming transported. I wanted to write a book too.

 

What genres do you write in?

 

My first novel Slow Down and my current one The Mentor are both thrillers with a literary bent. But I’m also working on a sci-fi book and two Young Adult novels as well.

 

What drew you to writing these specific genres?

 

Thrillers are fun to write because it’s all about moving the plot forward. You constantly have to up the stakes, even if that becomes unfortunate for your characters. Science Fiction is a genre I’ve become more interested in. Maybe it’s the state of what’s going on with the world today, but it’s nice to take a break from it with sci-fi and travel somewhere else.

 

 

How did you break into the field?

 

It has not been easy. My agent Sam Hiyate at The Right Factory never stopped believing in me, even after we didn’t sell my first few books. Then with got a deal with the indie publisher New Pulp Press for Slow Down and right after it came out, I got a deal with St. Martin’s Press for The Mentor.

 

What do you want readers to take away from reading your works?

 

I hope that they enjoy a good ride, that the twists and turns catch them off guard, but also that the book gets them to think as well. The Mentor is about the violence that consumers crave and whether or not that is becoming an issue we can’t choose to ignore.

 

What do you find most rewarding about writing?

 

I love when I figure out a tough spot that I can’t seem to get past and break through and come up with an idea better than I had initially thought.

 

What do you find most challenging about writing?

 

I’m very good at discipline but it’s hard to be creative every day at times. I’m learning more and more that I need to take a break when I’m blocked.

 

What advice would you give to people wanting to enter the field?

 

First off, have talent. Not everyone is meant to become a writer. But if you have talent, edit your work over and over and find enough people who believe in your work too. Don’t give up when you’re rejected – use that rejection to make you a better writer.

 

What type of books do you enjoy reading?

 

All kinds. I enjoy current literary books and thrillers as well as some classics on my shelf that I haven’t read yet.

 

Is there anything else besides writing you think people would find interesting about you?

 

I’m a college professor too. Right now I’m taking time off from it, but I’ll eventually go back to teaching on the side as well. I’m a big film and sports buff too and I love to travel. At the end of my life, I’d like to say that I’ve traveled to most places I’ve wanted to go.

 

What are the best ways to connect with you, or find out more about your work?

 

Follow me at leematthewgoldberg.com with links to my Twitter, Goodreads and Facebook accounts. Thanks!

 

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FROM FAR AWAY the trees at Bentley
College appeared as if on fire,
crowns of nuclear leaves dotting the skyline. Professor William Lansing knew it
meant that fall had firmly arrived. Once October hit, the Connecticut
campus became festooned with brilliant yellows, deep reds, and Sunkist orange
nature. People traveled for miles to witness the foliage, rubbernecking up I-95
and flocking to nearby Devil’s Hopyard, a giant park where the students might
perform Shakespeare, or enter its forest gates at nighttime to get high and
wild. William had taken a meandering hike through its labyrinthine trails that
morning before his seminar on Existential Ethics in Literature. It had been
over a decade since he’d entered its tree-lined arms, but today, the very day
he was reaching the part in his long-gestating novel that took place in Devil’s
Hopyard, seemed like a fitting time to return.
            His wife
Laura hadn’t stirred when he left at dawn. He slipped out of bed and closed the
mystery novel propped open on her snoring chest. He often wrote early in the
mornings. Before the world awoke, he’d arm himself with a steaming coffee and a
buzzing laptop, the wind from off the Connecticut River
pinching his cheeks. His chirping backyard would become a den of inspiration,
or he’d luxuriate in the silence of Bentley at six
a.m. when the only sound might be a student or two trundling down
the Green to sleep off a fueled night of debauchery.
            He’d been
at Bentley for over twenty years, tenured and always next in line to be
department chair. He refused even the notion of the position for fear it might
eat into time spent writing his opus. His colleagues understood this mad
devotion. They too had their sights set on publications, most of them well
regarded in journals, only a few of them renowned beyond Bentley’s walls like
William dreamed to be. Notoriety had dazzled him since he was a child—a time
when his world seemed small and lifeless and dreams of fame were his only
escape.  
            His
colleagues often questioned him about this elusive manuscript he’d been toiling
on for years, but he found it best to remain tight-lipped, to entice mystery. It
was how he ran his classroom as well, letting only a few chosen students get
close, keeping the rest at enough of a distance to regard him as tough and
impenetrable but fair. Maybe he’d made a few students cry when a paper they
stayed up all night to finish received a failing grade, or when his slashes of
red pen seemed to consume one of their essays on Sartre’s Nausea, which he found trite and
pedestrian; but that only made them
want to do better the next time. They understood that he wanted his kingdom to
be based on fear, for creativity soared in times of distress.
            William’s
legs were sore after his hike that morning through Devil’s Hopyard. The terrain
was hilly and its jagged trails would challenge even a younger man, but he kept
fit, wearing his fifty-five year old frame well. He was an athlete back in
school, a runner and a boxer who still kept a punching bag in the basement and
ended his day with a brisk run through his town of Killingworth,
a blue-collar suburban enclave surrounding Bentley’s college-on-a-hill. He had
all his hair, which was more than he could say for most of his peers, even
though silver streaks now cut through the brown. He secretly believed this made
him more dashing than during his youth. Women twenty years younger still gave
him a second glance, and he often found Laura taking his hand at department
functions and squeezing it tight, as if to indicate that she fully claimed him and there’d be no chance for even the most
innocent of flirtations. He had a closet full of blazers with elbow patches and
never wore ties so he could keep his collar open and expose his chest hair,
which hadn’t turned white yet. He had a handsome and regal face, well
proportioned, and while his eyes drooped some due to a lifetime of battling
insomnia, it gave him the well-worn look of being entirely too busy to sleep.
People often spoke of him as a soul who never enjoyed being idle, someone who
was always moving, expounding, and expanding.
            “Hi,
Professor Lansing,” said Nathaniel, a tall and gangly freshman, who after three
weeks into the semester had yet to look William in the eye. Nathaniel’s legs
twisted over one another with each step. William guessed that the boy had
recently grown into his pole-like body and his brain now struggled with how to
move it properly.
            “Nathaniel,”
William said, wiping the sweat mustache from his top lip. He could smell his
own lemony perspiration from the intense jaunt through Devil’s Hopyard. “How
did your paper on The Stranger turn
out?”
            Nathaniel’s
eyes seemed to avoid him even more. They became intent on taking in the
colorful foliage, as if it had sprouted overnight. 
            “Well…” the
boy began, still a hair away from puberty, his voice hitting a high octave,
“I’m not totally sure what you meant about Meursault meeting his end because he
didn’t ‘play the game’.”
            William
responded with a throaty laugh and a shake of his head. He placed a palm on
Nathaniel’s shoulder.
            “Society’s
game, Nathaniel, the dos and don’ts we all must ascribe to. How, even if we
slip on occasion, we’re not supposed to admit what we did for fear of being
condemned. Right?”
            Nathaniel
nodded, his rather large Adam’s apple bobbing up and down in agreement too. He
stuffed a bitten-down nail between his chapped lips and chewed away like a rat,
leaving William to wonder if the boy was on some new-fangled type of speed. He
liked Nathaniel, who barely spoke in class, but once in a while would give a
nervous peep filled with promise. The students he paid the most attention to
weren’t the heads of the lacrosse team or the stars of the theater productions,
those students would have a million other mentors fawning over them. He looked
for the hidden jewels, the ones who were waiting for that extra push, who’d
been passed over their whole lives but would someday excel past their peers.
Then they would thank him wholeheartedly for igniting a spark.
            “Is that
why Camus didn’t personalize the victim that Meursault killed?” Nathaniel
asked, wary at first, as the two entered the doors of Fanning Hall past a swirl
of other students. “So we sympathize with him despite his crime?”
            William
stopped in front of his classroom, its cloudy window offering a haze of
students settling into their desks. He stood blocking the door so Nathaniel had
no choice but to look in his eyes.
            “Did you
sympathize with him?”
            “Yes…umm,
it’s hard to penalize someone for one mistake,” Nathaniel said. “I know he shot
the Arab guy, but…I don’t know, sometimes things just happen. I guess that
makes me callous.”
            “Or human.”
            William
stared at Nathaniel for an uncomfortable extra few seconds before Kelsey, a
pretty sorority girl with canary yellow hair, fluttered past them.
            “Hey,
Professor,” Kelsey said, without looking Nathaniel’s way. William could feel
the boy’s sigh crowding the hallway.
            “Come,
Nathaniel, we’ll continue this debate in class.”
            William led
the boy into the room. The students immediately became hushed and rigid as he
entered.
            Nathaniel
slumped into a chair in the back while Kelsey cut off another girl to get a
prime seat up front.
            William
placed his leather satchel on the table, took out a red marker, and scribbled
on the board, I didn’t know what a sin
was
. The handwriting looked like chicken scratch and the students had to
squint a bit to decipher it; but eventually the entire class of twenty managed
to correctly jot down the quote. They had gotten used to his idiosyncrasies.
            “At the end
of the novel, Meursault ponders that he didn’t know what a sin was,” William
said. “What does that mean?”
            A quarter
of the class raised their hands, each one eager to be noticed. Kelsey clicked
her tongue for attention, as if her desperation wasn’t obvious enough. She
looked like she had to pee. In the back, Nathaniel was fully absorbed in a
doodle that resembled Piglet from Winnie the Pooh.
            “Nathaniel,”
William barked, sending the pen flying out of the boy’s hand. Nathaniel weaved
his long arms around the desk to pick up the pen and then gave a slack-jawed
expression as a response.
“Why does Meursault insist to the
chaplain that he didn’t know what a sin was?” William continued.
            Nathaniel
silently pleaded for William to call on someone else. He let out an
“uuuhhhhhhh” that lasted through endless awkward seconds.
            Kelsey took
it upon herself to chime in.
            “Professor,
while Meursault understands he’s been found guilty for his crime, he doesn’t
truly see that what he did was wrong.”
            William
turned toward Kelsey to admonish her for speaking without being called on, a
nasty habit that happened more and more with this ADD-addled generation than
the prior one, but a red-leaf tree outside the window captured his attention
instead, its color so unreal, so absorbing. The red so vibrant like its leaves
had been painted with blood.
            “Professor…professor.”
            The sound
came from far away, as if hidden under the earth, screaming to be acknowledged.
            “Professor
Lansing?”
            Kelsey
waved her arm in his direction, grounding him. She gave a pout.
            “Like, am I
right, or what, Professor? He doesn’t truly see
that what he did was wrong.”
            William
cleared his throat, maintaining control over the room. He smiled at them the
same way he would for a photograph.
            “Yes,
that’s true, Kelsey. Expressing remorse would constitute his actions as wrong.
He knows his views make him a stranger to society, and he is content with this
judgment. He accepts death and looks forward to it with peace. The crowds will
cheer hatefully at his beheading, but they will
be cheering. This is what captivates the readers almost seventy years after the
book’s publication. What keeps it and Camus eternal, immortal.” 
            Kelsey
beamed at the class, her grin smug as ever.
            William
went to the board, erased the quote, and replaced it with the word IMMORTAL in big block letters, this time
written with the utmost perfect penmanship.

 

Lee Matthew Goldberg’s novel THE MENTOR is forthcoming from Thomas Dunne Books/St. Martin’s Press in June 2017 and has been acquired by Macmillan Entertainment. The French edition will be published by Editions Hugo. His debut novel SLOW DOWN is out now. His pilot JOIN US was a finalist in Script Pipeline’s TV Writing Competition. After graduating with an MFA from the New School, his fiction has also appeared in The Montreal Review, The Adirondack Review, Essays & Fictions, The New Plains Review, Verdad Magazine, BlazeVOX, and others. He is the co-curator of The Guerrilla Lit Reading Series. He lives in New York City.

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